Art, Aesthetics, and the Brain
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portes grátis
Art, Aesthetics, and the Brain
; ; ; ;
Oxford University Press
10/2018
568
Mole
Inglês
9780198825234
15 a 20 dias
Descrição não disponível.
Section One: Foundational Issues 1: Francisco Mora: Neuroculture: A new cultural revolution? 2: William P. Seeley: Art, meaning, and aesthetics: the case for a cognitive neuroscience of art 3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts: Three Psychological Challenges for the Neuroscience of Aesthetics 4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic appreciation - convergence from experimental aesthetics and physiology 5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings Section Two: Cognitive Neuroscience of Visual Aesthetics and Art 6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating the Attractiveness of Faces 7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the Human Brain 8: Ulrich Kirk and David Freedberg: Contextual bias and insulation against bias during esthetic rating: the implication of VMPFC and DLPFC in neural valuation 9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products Section Three: Cognitive Neuroscience of Dance 10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic preference by personal experience 11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates of aesthetic perception of dance 12: Julia F. Christensen and Corinne Jola: Towards ecological validity in empirical aesthetics of dance Section Four: Cognitive Neuroscience of Music 13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music: Genres, contextual factors, and individual differences 14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a key element of aesthetic experience: psychological principles and underlying brain mechanisms 15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and Top-down Neural Routes to the Aesthetic Enjoyment of Music 16: Marcus T. Pearce: Effects of expertise on the cognitive and neural processes involved in musical appreciation Section Five: Neuropsychology of Art and Aesthetics 17: Anjan Chatterjee: The Neuropsychology of Visual Art 18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting of Dementia 19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics Section Six: The Evolution of Art, Aesthetics, and the Brain 20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a comparative approach to empirical aesthetics 21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain Coevolution 22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human "instinct-like " behaviour emerging from the exaptation of the communication processes Section Seven: Integrative Approaches 23: Edmund T. Rolls: Neurobiological foundations of art and aesthetics 24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of art: a formal approach 25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and Playing with Time
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Section One: Foundational Issues 1: Francisco Mora: Neuroculture: A new cultural revolution? 2: William P. Seeley: Art, meaning, and aesthetics: the case for a cognitive neuroscience of art 3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts: Three Psychological Challenges for the Neuroscience of Aesthetics 4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic appreciation - convergence from experimental aesthetics and physiology 5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings Section Two: Cognitive Neuroscience of Visual Aesthetics and Art 6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating the Attractiveness of Faces 7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the Human Brain 8: Ulrich Kirk and David Freedberg: Contextual bias and insulation against bias during esthetic rating: the implication of VMPFC and DLPFC in neural valuation 9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products Section Three: Cognitive Neuroscience of Dance 10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic preference by personal experience 11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates of aesthetic perception of dance 12: Julia F. Christensen and Corinne Jola: Towards ecological validity in empirical aesthetics of dance Section Four: Cognitive Neuroscience of Music 13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music: Genres, contextual factors, and individual differences 14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a key element of aesthetic experience: psychological principles and underlying brain mechanisms 15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and Top-down Neural Routes to the Aesthetic Enjoyment of Music 16: Marcus T. Pearce: Effects of expertise on the cognitive and neural processes involved in musical appreciation Section Five: Neuropsychology of Art and Aesthetics 17: Anjan Chatterjee: The Neuropsychology of Visual Art 18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting of Dementia 19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics Section Six: The Evolution of Art, Aesthetics, and the Brain 20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a comparative approach to empirical aesthetics 21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain Coevolution 22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human "instinct-like " behaviour emerging from the exaptation of the communication processes Section Seven: Integrative Approaches 23: Edmund T. Rolls: Neurobiological foundations of art and aesthetics 24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of art: a formal approach 25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and Playing with Time
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