Between Jerusalem and Athens
Between Jerusalem and Athens
Israeli Theatre and the Classical Tradition
Oxford University Press
10/2018
480
Dura
Inglês
9780198746676
15 a 20 dias
Descrição não disponível.
Frontmatter List of Illustrations 1: Introduction Between Athens and Jerusalem Weaving together histories and traditions Israeli theatre and its audiences A survey of scholarship Scope of the study Book structure 2: Habima: Outsidedness as a catalyst of creativity First encounters with the Greek Classical repertoire In lieu of summary: The Nissim Aloni effect 3: The Cameri: In search of local theatrical identity A Modern Hebrew theatre in Tel Aviv Summary 4: Experimentations: Putting the aesthetics of performance into practice Aryeh Sachs: Experimenting with ritual theatre Yossi Yizraely: Experimentations with stage imagery Edna Shavit: Experiments with Classicism Summary 5: Aristophanes and the Occupied Territories Text and socio-political context Hanoch Levin: Contention, defiance, and protest Summary 6: The Trojan War and Israeli-Palestinian conflict Theatrical responses to the Six Day War (1967) Theatrical responses to the Lebanon War (1981) Summary 7: Lysistrata: Between entertainment and protest Lysistrata on the Israeli stages Summary 8: Nissim Aloni: Oedipus Tyrannus in an immigrant society The myth of King Oedipus: Migrant and autochthon Summary 9: Hanoch Levin: From ancient myths to modern tragedy Israel in the aftermath of the Six Day War (1967) Levin's dialogue with Euripides Levin's dialogue with Aeschylus: The Moaners (1999) Summary 10: Classical presences and 'post dramatic' performances Ruth Kanner: Processing communal grief Troy revisited in the third millennium Ilan Ronen: Theatre as a memory machine Rina Yerushalmi: Lessons of the past Hanan Snir: From politics to psychodrama Summary 11: The Classical tradition in university theatre First encounters: Sophocles' Antigone (1969) From theory to practice: Yizraely reads Aristotle Research and practice: Greek tragedy In lieu of summary: The General and the Sea (2015) 12: Israeli theatre: A snapshot of today and future prospects Appendix: Performances of Greek and Roman drama in Israel Endmatter Bibliography Index
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Frontmatter List of Illustrations 1: Introduction Between Athens and Jerusalem Weaving together histories and traditions Israeli theatre and its audiences A survey of scholarship Scope of the study Book structure 2: Habima: Outsidedness as a catalyst of creativity First encounters with the Greek Classical repertoire In lieu of summary: The Nissim Aloni effect 3: The Cameri: In search of local theatrical identity A Modern Hebrew theatre in Tel Aviv Summary 4: Experimentations: Putting the aesthetics of performance into practice Aryeh Sachs: Experimenting with ritual theatre Yossi Yizraely: Experimentations with stage imagery Edna Shavit: Experiments with Classicism Summary 5: Aristophanes and the Occupied Territories Text and socio-political context Hanoch Levin: Contention, defiance, and protest Summary 6: The Trojan War and Israeli-Palestinian conflict Theatrical responses to the Six Day War (1967) Theatrical responses to the Lebanon War (1981) Summary 7: Lysistrata: Between entertainment and protest Lysistrata on the Israeli stages Summary 8: Nissim Aloni: Oedipus Tyrannus in an immigrant society The myth of King Oedipus: Migrant and autochthon Summary 9: Hanoch Levin: From ancient myths to modern tragedy Israel in the aftermath of the Six Day War (1967) Levin's dialogue with Euripides Levin's dialogue with Aeschylus: The Moaners (1999) Summary 10: Classical presences and 'post dramatic' performances Ruth Kanner: Processing communal grief Troy revisited in the third millennium Ilan Ronen: Theatre as a memory machine Rina Yerushalmi: Lessons of the past Hanan Snir: From politics to psychodrama Summary 11: The Classical tradition in university theatre First encounters: Sophocles' Antigone (1969) From theory to practice: Yizraely reads Aristotle Research and practice: Greek tragedy In lieu of summary: The General and the Sea (2015) 12: Israeli theatre: A snapshot of today and future prospects Appendix: Performances of Greek and Roman drama in Israel Endmatter Bibliography Index
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